![]() The immersive, prayer like treatment of Kanne Thaai Malare is familiar Shaan Rahman territory – Vineeth’s voice echoing across a minimal soundscape dominated by the piano. Vineeth is joined briefly by Liya Susan Verghese for the humming portions of the interlude. ![]() The song is interestingly structured too, featuring comprised of a single verse sung at two ends of a long interlude (highlighted by Josy Alappuzha’s flute and violins from Cochin Strings). Rasathi features an awkward mix of Tamil and Malayalam phrases that is salvaged by a pleasant melody and an even better arrangement. Instead it is BK Harinarayanan who pens the words for both songs (in fact all songs of the movie bar one). Marketed as the celebration of ten years of Shaan Rahman and Vineeth Sreenivasan’s musical partnership, Aravindante Athithikal has two songs sung by the latter – none written by him though, which seems a bit odd considering some of the team’s best songs have happened when Vineeth wrote the lines.
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